showing 12 results matching creditline:"The James and Maureen Duffey Endowment for Prints and Drawings"

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purple image in background center of a building plan and various text; "TRIBE" and "COMMUNITY" at top and bottom in purple; sketches of rabbits' heads at right and left in purple; small images of hands, buffalo, paws, figures, fish and bags in purple at bottom; horses' heads, Native American on horse and figures with guns and bows at top edge in purple; large yellow and red rabbit at center, standing on hind legs with front paws on hips

%C2%A9 Jaune Quick-to-See Smith%2C Courtesy the artist and Garth Greenan Gallery%2C New York

Survival: Tribe/Community, 1996

Jaune Quick-to-See Smith; Publisher: Zanatta Editions, Shawnee, Kansas

G303

image of a hen with dark, textured feathers and open beak

%C2%A9 Sue Fuller

Hen, 1945

Sue Fuller; Publisher: Sue Fuller

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abstracted black-and-white image of a deceased man seen in profile from the shouilders up; light gray splotch-like sections scattered around outer edges, beginning on the top left, top right edged and down into lower left and right edges; lower left quadrant has white splotches with scattered small white dots that extend into the upper right quadrant; gradated gray and dark spots throughout

%C2%A9 Miguel A. Arag%C3%B3n

Siete cascos percudidos, 2016

Miguel A. AragĂłn; Publisher: Flatbed Press, Austin, Texas

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shaded sketch of a large eye; red block lettering in top and bottom eyelids: Exposicion Litografias; red block 20 in pupil; black and red text; buff colored paper

%C2%A9 Francisco Dosamantes %2F Taller de Gr%C3%A1fica Popular

Taller de Gráfica Popular: Exposición 20 Litografias, Galeria de Arte de la Universidad Nacional, 1939

Francisco Dosamantes; Publisher: Taller de Grafica Popular, Mexico City

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sketchy image of young woman at right, eyes down, with a small cat, arching its back, on her head; six men at left, some in shadows, with a torch, startled by young woman and cat

The Black Cat, 1861

Alphonse Legros

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Three sheets of different sizes hinged together, forming a vertical composition; recto: abstract image; black, grey and tan; three bold black brushstroke-like lines at bottom with spots of tan and grey behind; central black section with vertical and diagonal white lines and irregular circles in white; top section has black rectangle with irregular organic white form with tendril-like protrusions; verso: abstract image; black spots on top sheet of various sizes; bottom sheet has organic vertical form with spots; central sheet has a few black spots and smudges at outer edges. Unique monoprint screenprinted by the artist using asphaltum on paper with hand-applied asphaltum on three sheets of paper cut and hinged by the artist. Multiple monoprints were made using shared screens for printing and joined in various combinations, all entitled "Niet Voor Kinderen."

Copyright %C2%A9 Jay Heikes%2C published by Highpoint Editions

Niet voor Kinderen (9), 2015

Jay Heikes; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

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grey images in background of Native Americans on horses, butterfly, flowers, turkey, bird, figures of various sizes and stockings; abstracted red running figure in front/foreground, left; black tree-like image at center; red and black seated figure playing a flute at right center; "NATURE" and "MEDICINE" in grey at left and right edges

%C2%A9 Jaune Quick-to-See Smith%2C Courtesy the artist and Garth Greenan Gallery%2C New York

Survival: Nature/Medicine, 1996

Jaune Quick-to-See Smith; Publisher: Zanatta Editions, Shawnee, Kansas

Not on View
yellow ground; abstracted paper doll-like Native American figures at left and right; round-faced sketchy cartoon head with crossed arms, upside down, at top, in grey, black and rust; pair of grey hands making shadow figure at center; train in grey, LRC; figures on horses in grey, LLC; running Native American and horse on top of grey images, LLC; stick figures and coyote in black, LRC; black typeface and handwritten text; "HUMOR", upside down, at bottom

%C2%A9 Jaune Quick-to-See Smith%2C Courtesy the artist and Garth Greenan Gallery%2C New York

Survival: Humor, 1996

Jaune Quick-to-See Smith; Publisher: Zanatta Editions, Shawnee, Kansas

Not on View
red bar at left; grey bar at right; black blocks in URC and LLC; small dark pink square, LRC; "Wisdom" and "KNOWLEDGE" at top; male and female Native American figures flanking boy with hoop, squared-off robot-like figure and clown in grey at bottom; sketchy abstracted black figure in ULQ with oval on chest; skeletal figures in white at right; teepee surrounded by figures enclosed in walls with mathematic symbols, URC

%C2%A9 Jaune Quick-to-See Smith%2C Courtesy the artist and Garth Greenan Gallery%2C New York

Survival: Wisdom/Knowledge, 1996

Jaune Quick-to-See Smith; Publisher: Zanatta Editions, Shawnee, Kansas

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bound album of print illustrations; blue and black cover with black leather with gold printing; images are line drawing style, without shading; Classical scenes of gods and humans; 37 plates

Compositions from the Works, Days and Theogony of Hesiod, 1817

William Blake; Designer: John Flaxman R.A.; Publisher: Longman, Hurst, Rees, Orme, and Brown London

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slightly abstracted nude male figure lying on his PR side, with PL knee slightly drawn up and PR arm curled around head; red background

%C2%A9 William Kentridge. All rights reserved.

Sleeper Red, 1997

William Kentridge; Printer: 107 Workshop; Publisher: David Krut Projects, Johannesburg, Cape Town, London, and New York

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paper collage with red crosses and blood drips; mostly black and white engravings with blue ground in ULC and colored flowers and leaves around edges; imagery includes reclining reading woman at bottom center with a large brown butterfly on her head, Classical female figures at left and right (figure at left seated, figure at right standing) wearing red garments with gold stars, central Sacred Heart with bird, gold rays and stars and figure of Jesus with the money changers, large angels descending from clouds in ULC; received in a medium toned wood frame

Blood Collage, c. 1850-60

John Bingley Garland

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showing 12 results matching creditline:"The James and Maureen Duffey Endowment for Prints and Drawings"

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